Archive for July, 2010

Disney Cashes In On the Osmonds Family Act Formula!

Saturday, July 31st, 2010


Disney, the empire that Walt Disney built back in the early 1940’s-50’s has really hit its stride lately. WEith the success of their Disney cable channels and hit shows to boot (That’s So Raven, Hannah Montana, The Wizards of Waverly Place, The Jonas Brothers) they’ve been knocking them out of the park for the past ten years or more now. but what’s really surprising is the success of their radio stations Disney radio and recording artists to boot. With Hannah Montana, The Jonas Brothers, and Zack Ephron just to name a few Disney is raking in millions of dollars annually throug their record sales. A lot of the credit goes to their formula in packaging good clean family entertainment while keeping up with the current trends in fashion and music. They’ve done very well at it for a while now but I can’t help drawing comparisons to an older act that Disney helped to laung onto the world-stage a while ago; and they were the Osmonds.

Back in the 70’s the Osmonds featuring Donny Osmond were touted as the white version of the Jacksons but they had been in the business for a long time paying their own dues in Utah even as Michael Jackson and his brothers were paying theirs in Indiana. They worked as hard as the Jacksons to develop their own unique family act that finally hit pay-dirt in the early 70’s. With a string of hits under their belt they were popular and known for their sunny disposition, wholesomeness, and family oriented entertainment (all the things Disney demands of its music acts now). Oh and I forgot those Osmond smiles! yes, they should have done lots of toothpaste commercials for they were famous for their pearly whites! But also there was no dnying they had talent for they danced, sang, and played all their own instruments. Me and my friends always enjoyed watching them (though many of them would never admit it) for they always put on a really good show. Disney was responsible for giving them their first bit of national exposure in the 50’s on the Mickey Mouse Club when they were just kids and from there they grew into a great self-styled family act. In them I see the prototype for the current milieu of pop and tv stars coming out of Disney lately a formula with which Disney has achieved great success.

Hannah Montana, Raven Symone, The Jonas Brothers, Corbin Bleu, Zack Efron, and Vanessa Gomez remind me so much of the original Osmond brothers act it ain’t funny. For the Osmonds have always maintained a fairly positive public image staying away from the Hollywood scene opting instead to live in their homestate of Utah and all as far as I know are still practicing Mormons, something that keeps them grounded I believe. Their music reflects their sunny disposition  even as they passed it on to I believe Alan Osmond’s sons who formed a music group and had a lot of success overseas as the new Osmond Brothers in the 90’s. I saw them a couple of times and they were really good too. Eitherway, all of those mentioned above Disney acts also seem to have for the most part avoided a lot of negative controversy (Disney demands it!) and most of them dance and sing songs you’re not afraid to let your kids listen to. I believe the Osmonds had a big influence on that.

Now the Osmonds have been dismissed in so-called ’serious’ music circles as a fluff act and purveyors of mediocre pop music in their heyday but that’s truly an unfair assessment. Just because they didn’t court scandal and sing the blues didn’t mean that they weren’t serious or talented musicians and performers. Everytime I saw them perform in the 70’s I can honestly say I enjoyed the show and so did thousands of others who LOVED their music. They still draw crowds to Branson with their country act (now I don’t like their country show) and Donny continually tours drawing fans from all over the world to see him. But the Osmonds legacy is set for they left their mark on just about every Disney act you can think of as well as performers like New Kids on the Block, N’Sync, the Backstreet Boys, Dream Street, and others who dared to be a boy-band. Like the Jacksons the Osmonds can look back with pride and know honestly that they were the first and that without them as the prototype for Disney’s acts their house of music would have never gotten off the ground or would have fallen a long time ago.

Show Me How to Play the Piano

Saturday, July 31st, 2010


Clefs, notes, rests, scales, chords, rhythm… How long does it really take to learn how to play the piano? The answer depends on your definition of what your desired level of ‘piano playing’ should ultimately be. There are professionals, semi-professionals, amateurs and people with next to no training. The following are three common categories that a beginner pianist might aspire to achieve.

1. You want to simply play a couple of pieces to impress friends; this frame of mind will help you avoid unwanted comments such as:

“It doesn’t surprise me that you don’t play an instrument. You never could do anything!”

“I thought anyone could play SOMETHING on the piano. You’ve proven that I was wrong.”

“I’m glad you don’t play an instrument. Why do we need more noise pollution in the world?”

Yes, people can be mean. Of course, I’m giving you the worst case scenarios, but it doesn’t hurt being prepared for the worst. Piano can easily be taught by a student copying a teacher, provided the pieces are not too long or complex. This type of rote teaching is a quick fix, designed to give a pupil confidence when asked by a friend or relative to play the piano. The downside is that a student will probably not accumulate a lot of repertoire using this method, unless that student has an astonishing memory or an incredibly accurate ear for music.

2. The second category of student involves an aspiration to play for one’s own enrichment and enjoyment. At this stage real lessons should kick in, including theory and practical technique. If music is to be taken as a serious, yet enjoyable hobby, then learning the language is essential in avoiding future frustration. Some of these frustrations might include:

“I wish I learned how to read rhythm properly. Why did I waste my youth faking rhythm when I could have learned properly? Why, why, why …?”

“I just realized something. I’m sixty and I can’t read music. Ahhhh!”

3. Finally, category three involves an aspiration for professionalism. In order to achieve this level, serious lessons and lengthy practice sessions are a must. Music, like any other language, requires understanding and an unusual amount of repetition in order to reinforce mental understandings of music concepts and tactile memory. Consistency in this category has the added reward of increasing your chances at receiving comments such as:

“Wow, you’re amazing!”

“I think my ears just smiled. Thank you for the blessing of your playing. Here’s some cash… now please play some more, oh great one.”

“I never knew real happiness until today. Thank you, thank you, thank you…”

Which category does the average person fit into? I would say the second one. Although the world is filled with professional musicians, most people want to be able to play a few songs and enjoy themselves. This enjoyment includes a bit of an understanding of the language of music, including clefs, notes, rests, scales, chords, rhythm and more.

So here’s some final advice. If you really want to know how to play the piano, ask yourself what your ultimate goals are. This will better help you channel your valuable energy.

3 Reasons That Make Psych Tv Show Not Your Ordinary Crime Solving Series

Saturday, July 31st, 2010


Psych TV Show changed the way people perceive the gumshoe genre. With its unique plot that sophisticatedly throws comedy, drama and action into the mix and a set of interesting characters, the show has been a constant favorite among viewers who look for some detective brainwork and a hearty laugh.

It was the rise of serious detective TV series such as CSI when the show came sauntering into the primetime television. The show was almost a deviation from the typical serious and macabre depiction of crime investigations seen on the tube. Instead of joining the bandwagon of gory and morbid gumshoe detective TV shows, Psych opted to take a more humorous approach on how things are done. From the character’s relationships to how each episode revolves, Psych clearly breaks away from how crime-solving shows get things done.

Here are some of the things the separate Psych TV show from ordinary crime-busting genres we have come to know.

1. Psych doesn’t focus too much on forensic science.

If you are tired of CSI’s 10-minute long winding farrago about the science behind a murder, then Psych is definitely a breath of fresh air. Instead of digging deeper into the complex anatomy of a case, Gus and Shawn, the show’s resident private detectives, solve cases in unheard of ways. Their unorthodox style in busting criminals is deeply couched in Shawn’s fake psychic abilities. Albeit being fake, such propensity or rather Shawn’s psychic pretense has been the show’s trump card to success.

2. Psych TV show characters are nothing like how TV has depicted private detectives.

The ebony and ivory tandem of Burton “Gus” Guster and Shawn Spencer perfectly supports that series’ attempt to veer away from doing a CSI spin. The two protagonists have very diverse personalities and through great writing involved in making the script, the Gus and Shawn became catalysts that raised the show’s ratings. They also have unique characteristics and trademarks that viewers can easily remember. For instance, Shawn fakes being a psychic in order to solve crimes and get more clients. On the other hand, Gus, is more of the business-looking type. Gus is the character that contradicts with Shawn’s goofy personality.

3. It interlaces comedy into the whole detective and crime-solving genre on TV.

The edge of the show lies in its complete abandonment of the seriousness usually found in crime-solving series like CSI. The cases featured in each episode are presented in such a way that there is still a possibility to insert humor. The humor of the show is rooted in its wit richness. The lines and dialogues are just so seamlessly intertwined within the storyline that humor comes out naturally.

In order to create a hit in Hollywood, lots of factors interplay. Moreover, it is very important for producers and scriptwriters to show viewers something they have never seen before. Instead of riding the bandwagon of series that offer the same formula to viewers, achieving primetime TV success lies in the uniqueness of storylines and ultimately, the way these stories are presented. Psych TV show combine all these factors to create a whole new comedy detective drama of its own.